Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Thursday, April 17, 2008

Review of 21 films

Bootlegged films are VERY cheap in Iran—about 300 fils—so I brought smuggled in about 70 to Kuwait, hehehehehehehe....Here’s a one line review of 21 films


Non-English Films


Hindi:

  1. Jodha Akbar: Recommended by Amu. Great cinematography. Loved the sword fighing scene between Ash and Hrithik :D The film got me to google Akbar the Great. Found out there were some historical inaccuracies but not enought to distort the truth too much. BTW, did you know that Akbar was the grandfather of Shah Jahan of Taj Mahal?


French:

  1. Persepolis: This film could be a page out the book of ANY Iranian who lived in Iran during the 80s and early 90s



Iranian Films

  1. Ali Santuri (English title: The Musician): Only reason I watched it is coz it’s banned in Iran. If you wanna put yourself through more than an hour of torture then watch this film.
  2. Nesf Maleh Maan, Nesf Maleh Tow (English title: Half mine, Half yours): A fun family film.


Half English/Half Farsi film

  1. The Kite Runner: The book was MUCH more poignant.




English Films
  1. Rendition: Thought pace was too slow but liked the way the two timelines interlocked. Reese Witherspoon’s role was way too trivial.
  2. A Might Heart: Pace too slow, film a bit weak, could have focused more on the emotional side of it; liked Jolie’s new hairdo though.
  3. The Night Listener: not a lot of suspense for a suspenseful film
  4. The Kingdom: Got to see it again to comment
  5. The Bourne Ultimatum: Matt Damon was HOT :P
  6. National Treasure 2: Liked part 1 much better; learned some interesting tidbits, like there are two Eiffel Towers :D
  7. No Country for Old Man: I am now convinced that members of the Oscars academy are officially blind, deaf and with no sense of artistic taste!!
  8. Lions for Lambs: A loooooooooong lecture. You might as well just watch a political debate on CNN. Tom Cruise was his annoying self.
  9. Jesse James: Was never a fan of Brad Pitt; this film proved why.
  10. I am Legend: Will Smith is HOT!!
  11. The Golden Compass: Nicole Kidman is forcing me to cross her off my list of fav actresses
  12. Atonement: The only reason I watched it till the end was coz I was too lazy to reach for the remote to switch off the TV.
  13. Juno: Loved her character, especially her wit. Screenplay was excellent. Though I did think they toned down the trials of teenage pregnancy.
  14. Meet the Spartans: LOL..much more realistic than 300
  15. Elizabeth: Made me google it; the film has some historical inaccuracies. Thought the real Queen Elizabeth would have been much more interesting than the one depicted in this film.

Thursday, December 6, 2007

Mehrbano's Musical Ensemble in Kuwait


So in the 9 years I lived in Tehran how many times did I go a traditional Iranian concert—> Zilch

How many traditional music Cd did I buy?->Zilch

How many traditional singles did I listen to?-> Zilch

How many times did I switch channels and radio stations when a traditional music came on?-> Billions

How excited did I become when I found out that Dar AlـAthar AlـIslamiyah would be hosting a traditional Iranian concert?-> Jumped up so high doing the dance of joy that my head damaged the ceiling.


And what a night it was. A rejuvenating night for my soul for it was my soul not body that danced to the melody of the music. Now I know why people close their eyes, smile and wave their head side to side when listening to music…I was doing that!!!!!

The best part of the evening was the encore. Once their performance was over, the crowd drew them back on stage with their cheers. They played the Iranians version of a Kurdish song they had previously played earlier. Then when the clapping of the crowd died down, the vocalist sang: Ey Iran, ey marzeh por ghohar.

This was when my mom’s soul was revived. She started to sing along with them and the Iranians in the audience (which incidentally weren’t too many) clapped all through the song. I must confess that their version of “Ey Iran” was the best I have ever seen or heard.

Unfortunately, my phone camera didn’t have enough space to record, the quality is not that good anyway, and I was too busy enjoying the show to shoot anything anyway, but here’s a couple of videos:

VIDEO 1


VIDEO 2


VIDEO 3 (Kurdish Song)


More info from the Daily Star

Friday, November 23, 2007

Baraka: A Spritual Film





What a magical night it was last night! The soothing breeze didn’t let go of its embrace all night. With my mind clear, my heart light, my soul at ease it was the perfect night to watch “Baraka”.

Baraka is the first film of a “3 Evening Events” that ‘The Culture Sector Office’ of The Grand Mosque of Kuwait is hosting to promote inter cultural understanding.

And Baraka did exactly that. With no narration, no dialogue, no words, mere images choreographed with an enchanting music, it took your mind on a sensual journey in and out of people’s beliefs, rituals, and vices. Unlike other films where one passively takes in the storyline as it is dictated to them, with Baraka one has to connect to their personal soul, cultural knowledge, and openness to interpret the mélange of the audiovisual messages.

I’m still lost in my interpretation; still mesmerized by the beauty and the “Baraka” of our world, still at awe at our lost souls dwelling in coffin-like “homes”; still perplexed by the skull-museum of genocide victims, still at awe by the connectedness of world rituals-of our collective conscious; still trying to figure out the messages in the eyes of the snow monkey in the hot springs of Japan, in the eyes of the aborigine in Australia, , in eyes of the 3 kids of Yanomami Tribe, in the eyes of the girl from Iran, in the eyes of the monk…and in my eyes.

Still have 1 question in mind: Are we losing God’s Baraka?


More Info about the film:

Baraka was shot in the following countries: Alaska, Arizona, Australia, Brazil, California, Cambodia, Colorado, Ecuador, Egypt, France, Hawaii, Hong Kong, India, Indonesia, Iran, Israel, Italy, Japan, Kenya, Kina, Kuwait, Mexico, Nepal, New Mexico, Peru, Poland, Thailand, Turkey & USA.

PLOT SYNOPSIS (taken from ALLMovie)

Named after a Sufi word that translates roughly as "breath of life" or "blessing," Baraka is Ron Fricke's impressive follow-up to Godfrey Reggio's non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio's film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic "guided meditation" (Fricke's own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man's own destructive powers into a web of moving images. Fricke's camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Masai in Kenya, chanting monks in the Dip Tse Chok Ling monastery...and on and on, through locales across the globe. To execute the film's time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns.

Images from the film (taken from Spirit of Baraka)


Video Clips from the film (From YouTube)


1. The Kecak Dance of Bali Indonesia



2. A snow monkey (at peace)



3. Modern life (maybe why we aren't at peace)